{"id":117891,"date":"2023-02-16T16:46:05","date_gmt":"2023-02-16T16:46:05","guid":{"rendered":"https:\/\/alospinoselviento.com\/?page_id=117891"},"modified":"2023-03-01T17:18:11","modified_gmt":"2023-03-01T17:18:11","slug":"caracteristicas","status":"publish","type":"page","link":"https:\/\/alospinoselviento.com\/en\/caracteristicas\/","title":{"rendered":"Book features"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb4″ bottom_padding=\u00bb4″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb1″ uncode_shortcode_id=\u00bb935803″ back_color_type=\u00bbuncode-palette\u00bb row_name=\u00bbdatos\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ css_animation=\u00bbright-t-left\u00bb animation_speed=\u00bb1000″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb108044″][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ font_family=\u00bbfont-159086″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb746774″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb113277″]Credits[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb190823″]Published by
\nLuis Vallejo Landscape Studio<\/p>\n

Texts
\nLuis Vallejo, Felipe Gonz\u00e1lez, Jos\u00e9 Mar\u00eda Parre\u00f1o<\/p>\n

Drawings
\nLuis Vallejo<\/p>\n

Photographs
\nCarmen Ballv\u00e9, Fernando Maquieira<\/p>\n

English edition
\nErica Witschey<\/p>\n

Translation of texts
\nJenny Dodman<\/p>\n

Art direction, design and layout
\nSonia S\u00e1nchez<\/p>\n

Prepress
\nLucam<\/p>\n

Printing and binding
\nBrizzolis, arte en gr\u00e1ficas[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb103417″][vc_gallery el_id=\u00bbgallery-158644″ type=\u00bbcarousel\u00bb medias=\u00bb118122,118125,118119,118027,118115,118114,118028,118031,118030,118023,118026,118025,118024,118116,118032″ carousel_lg=\u00bb1″ carousel_md=\u00bb1″ carousel_sm=\u00bb1″ gutter_size=\u00bb3″ carousel_type=\u00bbfade\u00bb carousel_interval=\u00bb3000″ carousel_navspeed=\u00bb1000″ carousel_loop=\u00bbyes\u00bb stage_padding=\u00bb0″ single_overlay_opacity=\u00bb50″ single_padding=\u00bb2″ lbox_skin=\u00bbwhite\u00bb lbox_transparency=\u00bbopaque\u00bb lbox_transition=\u00bblg-fade\u00bb uncode_shortcode_id=\u00bb145615″][vc_single_image media=\u00bb118187″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb157161″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb4″ bottom_padding=\u00bb4″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb1″ uncode_shortcode_id=\u00bb266425″ back_color_type=\u00bbuncode-palette\u00bb row_name=\u00bbdatos\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ css_animation=\u00bbright-t-left\u00bb animation_speed=\u00bb1000″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb108044″][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ font_family=\u00bbfont-159086″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb916426″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb273240″]Technical Specifications[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb342387″]Format
\n230 \u00d7 270 mm (width \u00d7 height)<\/p>\n

Binding
\nPaper-covered boards; embossing on front cover and spine<\/p>\n

Pages
\n256 pages and 3 booklets of drawings, 16 pages each (two booklets in 210 \u00d7 140 mm and one in 190 \u00d7 250 mm format); loose leaf (170 \u00d7 230 mm format) glued to page 35 of the book<\/p>\n

Photographs
\n20 three-tone photographs (Carmen Ballv\u00e9)
\n90 colour photographs (Fernando Maquieira)<\/p>\n

Drawings (Luis Vallejo)
\n24 drawings<\/p>\n

Insert (text by Jos\u00e9 Mar\u00eda Parre\u00f1o)
\n16-page booklet of text, saddle stitched with 2 staples and inset<\/p>\n

Case
\nCase made of recycled board open at both sides; hot foil stamp<\/p>\n

Box
\nJapanese paper-covered hand made box; hot foil stamping on front cover
\nDimensions: 42.9 \u00d7 33 \u00d7 6 cm (length \u00d7 width \u00d7 height)
\nCover material: Takeo Satogami Light Gray 116 g<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb162955″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb214219″]Font[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb188207″]The texts in this volume have been set in Garamond, a font family based on the serif typefaces created in the 16th century by the French printer and typographer Claude Garamond. It is this typographic language which, in its combination of classicism and contemporaneity, best corresponds to the beauty of simplicity that is the poetic foundation of this book.[\/vc_column_text][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb150880″]Paper[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb493234″]The Wind among the Leaves is printed and bound on five kinds of paper. The inner part of the book, on which the photographs are reproduced, owes its soft feel to the Italian 135-gram GardaPat 13 Kiara paper.
\nThe other four papers, of a refined nature in colour and finish, were developed and produced by the Japanese company Takeo: 105-gram Miyaginu Gray, with embossing inspired by a kimono fabric from the Heian period (794\u20131185) \u2013 the last of the classical Japanese periods \u2013 for the cover lining; 105-gram Biotope Moss Green for the endpapers and the cover of the notebook with Jos\u00e9 Mar\u00eda Parre\u00f1o\u2019s text; 52-gram Biotope Cotton White for the inside of the same notebook, the sheet on which Felipe Gonz\u00e1lez\u2019s presentation appears, and Luis Vallejo\u2019s sketchbooks; and, finally, a sheet of 52-gram Biotope Black encloses one of these sets of sketches, the one corresponding to the 2017 exhibition in France.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=\u00bb1\/1″][vc_column_text uncode_shortcode_id=\u00bb277644″]<\/p>\n

Special edition<\/em>
\nNumbered and limited to one hundred and fifty copies,<\/em>
\nseventy in Spanish and eighty in English.<\/em><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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