{"id":117859,"date":"2023-02-16T15:52:26","date_gmt":"2023-02-16T15:52:26","guid":{"rendered":"https:\/\/alospinoselviento.com\/?page_id=117859"},"modified":"2023-03-01T15:25:22","modified_gmt":"2023-03-01T15:25:22","slug":"colaboradores","status":"publish","type":"page","link":"https:\/\/alospinoselviento.com\/en\/colaboradores\/","title":{"rendered":"Contributors"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb4″ bottom_padding=\u00bb4″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb1″ uncode_shortcode_id=\u00bb199338″ row_name=\u00bbcolaboradores\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ css_animation=\u00bbright-t-left\u00bb animation_speed=\u00bb1000″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb108044″][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ font_family=\u00bbfont-159086″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb149192″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb580326″]Carmen Ballv\u00e9[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb209687″]Photographer. Her work has appeared in major Spanish newspapers and magazines and been exhibited in and outside Spain. Notable among her projects is Batey<\/em>, on Haitian sugar plantation workers, which was shown in London and Edinburgh. Her collaboration with the American nonprofit organisation The Denan Project has taken her to Ethiopia, Peru, and Mongolia. A project in Tanzania led to the publication of Acaba cuando llego<\/em>, which was awarded first prize for the best art book in 2016 by the Spanish Ministry of Culture. La mirada cercana<\/em> was recently on display at the Museo San Telmo in San Sebasti\u00e1n.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ font_family=\u00bbfont-159086″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb997813″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb161030″]Fernando Maquieira[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb660916″]Photographer. He has published artistic books such as Nocturna, Veinte d\u00edas M\u00e9xico,<\/em> and Alucinosis,<\/em> and his photographs have appeared in newspapers and magazines such as El Pa\u00eds and XLSemanal,<\/em> among others. Various institutions and photography festivals have hosted exhibitions of his work; for instance, the series Gu\u00eda nocturna de museos<\/em> was presented in 2017\u221218 at Tabacalera, Madrid, as part of the PHotoEspa\u00f1a festival, and at the Alhambra in Granada. His photos have also been shown in Belgium, Italy, South Africa, Lithuania, and South Korea. He is often commissioned by national and international cultural institutions and museums to photograph artworks and architecture.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ font_family=\u00bbfont-159086″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb746774″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb105875″]Jos\u00e9 Mar\u00eda Parre\u00f1o[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb157478″]Poet and essayist with a PhD in art history. He was coordinator of the literature department at the C\u00edrculo de Bellas Artes in Madrid and director of the Museo de Arte Contempor\u00e1neo Esteban Vicente in Segovia. He has been a lecturer at several Spanish and American universities and currently teaches at the Fine Arts Faculty in Madrid. Cultivating various genres, he has published a dozen books, including Viajes de un antip\u00e1tico<\/em> (1999), Poemas de amor y no<\/em> (2005), Un arte descontento<\/em> (2006), and Pornograf\u00eda para insectos<\/em> (2014), and contributes to various media as an art critic.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb162955″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb209940″]Sonia S\u00e1nchez[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb162972″]Graphic designer, art director of the project. She has pursued a career in editorial design, visual identity, and exhibition design in close collaboration with artists, architects, curators, publishers, and leading cultural and publishing institutions (MoMA, Museo Nacional del Prado, Museo Nacional Thyssen-Bornemisza, Phaidon, Rizzoli New York). Her work has been published in prestigious design magazines and has won international awards.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb2″ top_padding=\u00bb4″ bottom_padding=\u00bb4″ back_color=\u00bbcolor-lxmt\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb1″ uncode_shortcode_id=\u00bb129021″ back_color_type=\u00bbuncode-palette\u00bb row_name=\u00bbcolaboradores\u00bb][vc_column column_width_use_pixel=\u00bbyes\u00bb gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ css_animation=\u00bbright-t-left\u00bb animation_speed=\u00bb1000″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb108044″][vc_row_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ font_family=\u00bbfont-159086″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb611791″][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb933988″]Antonia Casta\u00f1o[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb105717″]Editor of the Spanish texts[\/vc_column_text][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb199784″]Jenny Dodman, Erica Witschey[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb244292″]Translator and editor of the English texts[\/vc_column_text][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb149933″]Lucam[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb113752″]Prepress[\/vc_column_text][vc_custom_heading heading_semantic=\u00bbh4″ text_font=\u00bbfont-159086″ text_size=\u00bbh4″ text_weight=\u00bb300″ uncode_shortcode_id=\u00bb201732″]Brizzolis[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb779974″]Printing and binding[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb435588″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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